New layout! Yay! (Look at it, if you are using Google Reader or somesuch!)
Wow, only redesigning (and Blogathon. and essays, now a thing of the past) can keep me up till… 2:24am? and still leave me unaware of the time. Although now that I realise how late it is my eyelids suddenly feel very heavy.
I’m really, really happy with this layout because with it, I’ve finally managed to implement a lot of things that I’ve been wanting to for ages, but just never got round to doing. Most of the nifty changes are under the hood and you probably won’t notice them, but trust me, they made me a very excitable little puppy. Things I’m particularly proud of are:
By the way, if anyone still has no idea how to get an avatar to show up when you comment, you can do so at Gravatar which is very handy and allows you to use that avatar on a whole bunch of other websites as well.
The flower brush in the header graphic is a Photoshop default. Bet you didn’t know that.
Other highlights of my day include this conversation with my brother, the purchase of a very charming blue dress I’ve had my eye on for ages and ages (on Steffy’s advice – thanks!), snapping up two cropped jackets on sale from New Look, finally getting a bunch of errands done, excellent afternoon weather, and most of all feeling better :) (though a tickly cough which is turning chesty still stubbornly persists)
I’ve consciously taken the four days of Easter holiday off from job applications and the like – so it does feel to me like I’m going back to work tomorrow, though I’m technically going to be lounging around at home same as always. It’s been a really good break. And I’m hopeful, starting anew, when I wake in the morning.
NEW LAYOUT, handily linked for everyone reading this from an RSS feed. I demand you come revel in its colourful awesomeness.
…seriously this layout was very difficult. It’s like I splashed paint willy-nilly all over the previously harmonious monochrome; you can count at least 4 or 5 colours which figure prominently, which is really odd but I wanted to experiment. The link hovers are really odd too (they are, however, growing on me in a strange way). There was lots of playing around with CSS and getting to know the 3-column liquid layout better. I am particularly fond of the yellow dot comments!
I am still not 100% happy with the header image (the red is weird) but, having worked on this layout since morning, I am too lazy to tweak it any more for now. I was also too lazy to restyle the comments section and probably won’t be restyling it as it looks adequate to me, at least (unlike the header).
And and, tangentially, I love the changes in Wordpress 2.7! The admin panel is now a thing of beauty and a joy to use.
Every now and then, I go through a phase where I just want something dead simple. It usually comes after a layout which was very graphic-heavy and complicated, and goodness knows the previous one was. I was hoping not to use a single graphic in this layout actually but eventually succumbed to placing a teeny pattern background in the header to save the whole thing from becoming overly dull.
But the big thing about this layout, really, is that it is fully liquid (i.e. columns dynamically resize with your browser size and it should be cross-broswer compatible, give it a go); which is not such a great deal if you are a better coder than I am with CSS, but is a great deal to me because the 3-column liquid layout has been an elusive goal that I have aspired to for a long time now, and I never had the patience (till now, while dissertation-procrastinating) to carefully, slowly pick apart some sample CSS and try to figure out how it’s done.
I also have catchy new music to go with the new layout, available for download on the etc. page and for live preview here!
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This is “Ikenai Taiyou” by ORANGE RANGE (theme song from the jdrama Hana Kimi), my song of the moment and one of the most incredibly catchy things I have ever heard. It is also my current jogging song. I have it pretty much on perpetual loop on my iPod when I run.
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And this is “Exodus” by Maksim Mrvica (probably better known as just Maksim, of The Piano Player album fame). If you’ve been obsessively watching the women’s gymnastics Olympic events, as I have, you might recognise this as Anna Pavlova’s floor music. It’s by far the most amazing of all the floor routine background music and sent me on a mad hunt for the track when I first heard it. (Anna’s floor routine is also amazing, by the way.)
Spiffing new domain, spiffing new layout, and you will not believe what went into coding this… I don’t even really want to think about it now that it’s done. I’m particularly proud of having successfully negotiated both horizontal and vertical centering and then relatively-positioning a text block within that div layer. I’ve also cleaned up a whole lot of old code by doing this up from scratch instead of appropriating and adapting an older layout, which is kind of the digital equivalent of cleaning out the dusty cupboard. And and and, the comment layouts have been revamped! (But you’ll have to leave a comment to see that.) /geek
It’s kind of empty right now though because I have literally spent near on eight hours just working on this layout, wrangling PHP and CSS, tweaking colours, tweaking code, doing things with block elements that I’ve never done before, &c and I am too braindead to think of how to fill up my etc. section. I was going to upload some music, but I’m afraid you all will have to wait to hear the dulcet tones of The Byrds (whose cover of Bob Dylan’s “My Back Pages” inspired this layout).
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I was stumped for something to write to make this a noteworthy first post for my shiny new (hopefully permanent) space, and then I remembered I had yet to post about the Matchbox Twenty concert. :D
L to R: kyle, rob ♥, brian, paul
As you can see from this photo, Jia Min, Jenny and I were in the unfortunate position of being stuck in the upper circle with many people’s heads and a lot of space between us and the stage. Sadly they’d decided to make the stalls standing room only, and as much as I love MB20 I wasn’t about to gladly sacrifice my feet for them.
But distance aside, the concert was wonderful. They did so many of their old songs – “Hang”, “3 AM”, “Long Day” all way back from their first album – and nearly all of my favourites – “Real World”, “Disease”, “Push”, “Downfall”, “Bright Lights”, “Unwell”, “Hand Me Down” – all songs that I’ve listened to over and over again, so so many times, songs that are so in my system that I could sing along to them in my sleep. Rob played piano on “Bright Lights” and I have such a weakness for my favourite musicians on the piano – so that was good. Undoubtedly (for me, at least) the high point of their performances for the night was “Bent”, which is probably fitting as it’s the title most people would name if you asked them to name an MB20 song off the top of their head. “Real World” and “Downfall” lacked a teensy bit of oomph – perhaps it was just that their live backing music was different from the CD backing tracks and I’m too used to the latter – but “Bent” was explosively powerful. I’m not actually such a big fan of the newer songs, I think the music isn’t as catchy as the Mad Season/More Than You Think You Are era and the lyrics aren’t as simple and honest either, but as always with a good band, hearing the songs live made me like them more.
The best thing about the show, as Rob himself said, was how many people were just so into it; he said the thing about being in the UK was that reporters always asked them what it’s like being here because they’re a band that’s so much bigger in the States, but then they do shows like this and they’re blown away by the realisation that there are so many people in the UK who’ll pay to come see them (the Manchester Apollo’s not a small venue at all, and it was absolutely packed). And it’s just… so true. I remember back in first year when my seminar group were having drinks at a pub and Beth and I were discussing the sex god that is Rob Thomas, and everyone else had never heard of him, and I’d always thought I’d never get to see them here because they just aren’t that famous in the UK. But everyone at the concert were clearly fans, everyone was singing along, so loudly that you could hear the audience as a collective voice singing their hearts out along with Rob. The girl sitting in front of me couldn’t have been more than 10. She was wearing an MB20 T-shirt, and she and her mom were clearly having a ball of a time, and her mom knew every word to every song.
rob at the piano
in all fairness, MB20 isn’t the best live act I’ve seen in my concert experience (that would be Michael Buble). But for some reason, some inexplicable reason that I can’t put my finger on, they’re a band that mean a lot to me; I remember the heartbreak I felt when Adam Gaynor left and it came back fleetingly, wrenchingly, when the band took to the stage and there was only 4 of them and not 5, I remember singing out loud in my room to Mad Season late at night when it was just me and my CD player and a last-minute assignment, I remember all these individual songs that spoke to me at different periods of my life – “Bent” and “The Burn” in secondary school, “Bright Lights” and “Unwell” in JC, “Mad Season” and “Real World” in university – so many times, I’ve just been listening casually to my iPod and suddenly the lyrics of an MB20 song would hit me with that yes yes yes feeling. I feel like if there’s any band I can say I grew up with, it would be them, they’re the one band from my teenage days that I haven’t grown out of and who’ve followed me all this way here to York. And seeing them live was such a big thing for me… I almost feel that I’ve come, in an odd way, full circle.
sq
cui
LcT